Brazil’s Marco Dutra, who won the S ecial Jury Prize in Locarno for 2017’s excellent Good Manners (co-directed by Juliana Rojas), teams with Caetano Gotardo (who enned the screen lay for Dutra’s 2016 film The Silence of the Sky) for his latest roject, All the Dead Ones, a eriod iece set at the end of the 19th century, where a white rivileged family of coffee farm owners try to forget their history as slave owners during the country’s ra id industrialization. Sara Silveira (of Marcelo Gomes’ Cinema, As irins and Vultures, 2005) serves as roducer

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