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马赛

马赛

主演:
MarenEggert EmilyAtef AlexisLoret  
备注:
已完结
扩展:
剧情 情电影 
点击:
562
地区:
德国
导演:
安姬拉·夏娜莱克   
年代:
2004 
字幕:
未知
更新:
2022-01-25
热度:
共有562位美剧迷推荐
语言:
法语 德语
剧情:
主演:MarenEggert/EmilyAtef/Alexi 详细
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《马赛》剧情简介
主演:MarenEggert/EmilyAtef/AlexisLore导演:安姬拉·夏娜莱克语言:法语/德语地区:德国编剧:安姬拉·夏娜莱克类型:剧情上映时间:2004-09-23 别名:用户标签:德国,德国电影,剧情,安姬拉·夏娜莱克,Angela_Schanelec,AngelaSchanelec,2004,2000s片长:91分钟imdb编号:tt0360779Thefirstmovieofthe"BerlinerSchule"("LaNouvelleVagueAllemande"CahiersDuCinema)thatgainedinternationalrecognitionwithitbeingscreenedinthe"Uncertainregard"-sectionofCannesFilmFestival2004.   AftertheverysparsewhiteonblackoftheopeningcreditsweseethebackofSophie'shead.She'sinacar,shespeaksawkwardFrench,thewomanwhodrivesgetsout,getsheramap,ofMarseille.Welearn,verysoon,thattheyareexchangingapartments,theotherwoman,hername,welearnlater,isZelda,willgotoBerlinandSophiewillstay,forafewweeks,inMarseille.Zeldasays:GutenTag,AufWiedersehen,MeinFreund,derBaum,isttot-thelatterphrasebeingaGermansongbyaGermansingerwhodiedyoung.Zeldadisappears,Sophiestays.Zeldaveryliterallydisappearsbecausetherewon'tbeatraceofherwhenSophiewillreturntoBerlin.TheMarseilleapartment,empty,unlivedinasitis,willhavebeenagift,somethinginexplicablygiveninafilmthatendswithsomething-almostalife-taken.   Sophie,forthefirstthirdofthefilm,isinMarseille.Shewalksaround,shetakespictures.Shelooksatthepictures,shemoveswithoutadirection,thecameraiswithher,sometimesdistant,sometimesfollowingherclosely.Sophieisastrangerinastrangeworld,shesometimesseemscutofffromhersurroundings.Wehearsounds,weseeherfacebutthebackgroundisblurred.Shedoesnotseemunhappy,shedoesnotseemhappy.Shedoesnottalkmuchandshealwaysthinksforalongtimewhensheisasked.Intheendshewillbeaskedwhatitisshephotographs.Shewillthinkforhalfaminute(orperhapsshedoesnotthink,butsimplyrefusestoanswer,toherself,tothepolicemanwhoasks)andthenshesays:Thestreets.   WedonotknowmuchofherandwedonotlearnmuchofherintheseminuteswespendinMarseille,walkingaroundwithher.Shemeetsayoungmanfromagarage,wholendsherhiscar,shedrivesaround,whichwedon'tsee.Thereisalotwedon'tsee-althoughittakessometimetorealizehowmuch.Shemeetstheyoungmaninabar,theydrink,afriendarriveswhoinsultsSophie,fornoreason.SophieandPierre,theyoungman,walkupinastreetthatislitinbrownishgoldenlightandtheysleepwitheachother,whichwedon'tsee(and,really,don'tknow).Thenextnighttheydance.   OneverysharpcutlaterSophieisbackinBerlin,sheisapproachedbyayoungwomanwhoreturnsacaptoher,acapshehasleftinaMcDonald'srestaurantbeforeshewenttoMarseille.Thereismoreshehasleft,orrather:shehasrunawayfrom.(Atleastthisiswhatcan-butdoesnothavetobe-inferred.)ThereisIvan,aphotographershemightbeinlovewith.ThereisHanna,anactress,Ivan'sgirlfriend,theirsonAnton.WelearnmoreaboutIvan,welearnmoreaboutHanna.WeseeIvantakingpicturesofwomenworkersinafactory,withoutanexplanation.Wejustseeandwatch.Wewatchthewomenfromasidewardsangle,thenwewatchIvantakingthepictures,thenwewatchthewomanfromIvan'sperspective.Theytalk,butnotmuch.Wejusthearandseeandwatch.Thereisalotwesee-althoughittakessometimetorealizehowmuch.Weareleftwiththeseimages.Theyremainunexplainedandtheydon'texplainwhatwesee."Marseille"hasabewilderingstructure,switchingfromtheellipticalcut(shocking,really)totheinsistentgaze(frustratingfirst,butamazingafterall).   Fortenminutes,atleast,wewatcharehearsal.HannaplaysaminorroleinaStrindbergplay.Thesamesceneisrehearsedthreetimes.WewatchthemantalkingtothewomaninanaggressiveStrindbergwayandweseeHannaenteringthestage.ThenthecameramovestotheleftandwewatchthewomanansweringtothemaninanaggressiveStrindbergway.Thistimewedon'tseeHannaenteringthestage.Whenleavingshemakesamistake,sheaddsawordthatdoesnotbelonginherline.Weseeherthenoffstage,cowering.Hannaisnothappy.SheisnothappywithDavid,shesuffersfromunexplainablepain.Wedonotlearnmuchmoreabouther.Sophieisoutofsightforquitesometime.Westartdoubtingifthisisreallyherstorywearetold.Ohyes,itis,butSchanelecrefusestofollowherandherstoryinlinearfashion.Ivan'stakingofpictures,Hanna'srehearsalbecomeimportant,notsomuchasexplanationsfortheirbehaviour,justasthepartsoftheirlivesSchanelechasdecidedtofollow.   SophiethenreturnstoMarseilleandafterthemostdaringellipsisweseeheratapolicestation,inayellowdress.Shesits,thenshetalks,thenshedoesnottalkforhalfaminute.Sheisaskedwhatitisshephotographs.Thestreets,shesaysafterwhatseemsaverylongtime.Shecries.Weseeheronasidewalk,thecameramovingparalleltoher.Shecrossesthestreet,thecameraremainsonthesidewalk,Sophieismovingawayfromit.Thenshestopsandthecamerastops.SheenterstheGermanconsulate.InSchanelec's(andcinematographerReinholdVorschneider's)filmsyouseethemostintelligentandsubtletravellingsimaginable-andevenmoreffectiveastheystarklycontrastwithalotofverylong,verystatictakesthatjustmakeyouwatchandsee.   "Marseille"endswithaseriesoftakesonthebeach.Itisgettingdark,thestreetlampsareswitchedon.WeseeSophieinheryellowdress,distant,moving,weseetheseaandthereisastrangekindofconsolationinthisimageofthedress,Sophie,thesea.

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