备注：已完结
类型：限制
主演：Florian Heiden Alexandra Schalaudek
语言：德语
年代：未知
简介： 一部类似塞门的花园这样的兄妹乱伦片马蒂和米雪这一对感情亲密的亲兄妹随着年龄增长渐渐陷入乱伦的关系，并且有一次被父亲发现... 这部不象塞门花园那样感觉很病态，比较“阳光”一些 一对亲兄妹的爱情因为家庭的变故，他们成为被父母疏离之后彼此唯一的温暖。他们克制了很久，但理性终归抵挡不了感情，上了床。家人发现后，两人想要出走，最后还是随父亲回了家。他们的结果不是悲剧，没有殉情，这该感谢家人的宽容，给予了他们重头来过的机会，两个人只是分开了。其实这部电影让人最感触的是，亲人朋友始终没有抛舍他们，虽然所有的人都感到震惊，但没有人对他们减少一分爱，我想这大约是处理这种事件最好的办法。 本片的主题并不是宣扬乱伦是可原谅的。乱伦毕竟是人类古老的禁忌。它所收获的爱情并不美好，大多是青涩的苦果。但凡看过此片的人都将其列入最经典的乱伦影片行列。影片的手法，主题，立意，都有独到之处。
备注：已完结
类型：限制
主演：马里奥·迪亚兹 Jenae Altschwager Dominique
导演：保罗·萨皮亚诺
语言：英语
年代：未知
简介： 麦克斯(DominiquePurdy)艾伦(RichardBlair)和格伦(NicholasCooper)有一个失败的泡妞记录，他们要么被甩要么只能和最差的妓女鬼混兄弟们给自己设定了一个任务，提高自己的泡妞水平搞定那些火辣的小妞他们遇到了好莱坞的卡萨诺·乔尼·艾莱仕(MarioDiaz)帮助他们在泡妞游戏中得A分但有一个问题，这些小妞们也是有组织有纲领的。没多久，以大温迪(JenaeAlt)和小温迪(EliJane)为首的女孩们迎战乔尼的战术，好莱坞成了一个巨大的游戏战场。
备注：已完结
类型：限制
主演：Sylvia Kristel Mia Nygren Patrick B
语言：法语
年代：未知
简介： InordertoescapefromherformerloverMarc,SylviagoestoBrazilwhereDr.SantamotransformsherintothebeautifulEmmanuelle.WiththisnewidentitycomesasexualawakeningwhichiscomplicatedbyhermemoriesofMarc.Aswithotherentriesinthisseries,theplottwistsprovideampleopportunitiestoexposethecharacters.
备注：已完结
类型：限制
主演：Sharon Stone Christopher Rydell
语言：西班牙语,英语
年代：未知
简介： 故事发生在西班牙的赛尔维城，璜（ChristopherRydell饰）和吉利巴（GuillermoMontesinos饰）是生活在那里的两名青年，他们拥有共同的梦想，那就是成为斗牛士在一场成功的比赛之后，璜如愿的实现了他的梦想，成为了当时最为顶尖的斗牛士，不仅如此，他还得到了美人卡门（安娜·托伦特AnaTorrent饰）的青睐，两人携手步入了婚姻的殿堂 索尔（莎朗·斯通SharonStone饰）是当时有名的交际花，虽然已经有了妻室，但是璜却依然难挡索尔的魅力，和她走到了一起，背叛了当初的誓言，这让心碎的卡门决定离开璜随着时间的推移，索尔的本性渐渐暴露，她的无情和自私让璜开始后悔自己的选择。
备注：已完结
类型：限制
主演：Darby Lloyd Rains Levi Richards 玛丽·
导演：拉德利·梅茨格
语言：英语
年代：未知
简介： Backin1969,theeditorialstaffofNewsdaymagazinewasamazedandappalledthatwriterslikeHaroldRobbinsandJacquelineSusanndominatedthebestsellerlistswiththeirtrashytell-all"romansàclef",sotheydecidedtodothemonebetterwitheachreportercontributingachapterofescalatingoutrageousnesstowhatwastobecome"NakedCametheStranger",asagabothsaucyandsoapyattributedtofictitious"PenelopeAshe".Ironically,itoutsoldmanyofthecompetitorsitsoughttosendup,salesfiguresbarelyinfluencedevenoncethehoaxwasexposed. Almostimmediately,rumorsofapossiblemovieadaptationbegantocirculatebutevenattheheightof"PornoChic"itremainedmostunlikelythatitwouldeventuallywindupasthesecondhardcoreprojectforrespectederoticauteurRadleyMetzgera/k/a"HenryParis"followinghiswell-receivedthoughunflinchinglyexplicitTHEPRIVATEAFTERNOONSOFPAMELAMANN.Perhapswithaneyetowardsmainstreamacceptanceofafilmformhehadlargelyembracedbecauseitwaswhatthedomesticadultmoviemarketplaceatleastdemanded,anillusionalltoocruellyexposedassuchoncethegenreshiftedtowardshomevideoameredecadelater,Metzgertoneddownthelevelofgraphicdetailonthisoccasion.Ascompensation,helavishedmoretimeandattentiononthecentralcharacterizationsofradiotalkshowhostsWilliamandGillian("Billy&Gilly")Blake,sortofa'70sNickandNoraCharleswhosesparklingreparteeconsiderablyenlivenstheirextra-maritaleroticencounters. Aswithallofhisfullcolorpenetrationfilms,Metzgerwrotethescreenplayunderhisusual"JakeBarnes"pornpenname,trulyoutdoinghimselfwithaplethoraofgenuinelywittyonelinersthatechothesophisticatedbrillianceofanErnstLubitschorBillyWildercomedyclassicofwhichthisisascloseanapproximationastheadultgenrecouldeverhopetoachieve.Thankfulforanopportunitytoshowoffmorethantheirphysicalprowess,DarbyLloydRainsandLeviRichardsrisetotheoccasionbeautifully.Alreadysomethingofanindustryveteranby1975,Rainswasoneofthefinestearlyadultactressesandhasneverbeenbetter.HermimedshockwhenshecatchesherhusbandstickingittohissecretaryPhyllis(adelightfullydizzyMaryStuart)onadailybasis,whichnaturallyevolvesintoarousalandastaircasesolobothsexyandextremelyfunny,isabsolutelypriceless. TheirNewYorkmorningshowasmashhit,BillyandGillyappeartheperfectcoupletoallwhoknowthem.Onceshelearnsofherhusband'sfrequentinfidelitywithhis"LoveBunny"(atermofendearmentwhichprovidesthemoviewithoneofitsbestrunninggags),Gilliandecidesthatwhat'sgoodforthegandermightalsobenefitthegooseandembarksonasexualspreewithintheircircleofjetsetfriendsandcasualacquaintances.Tiedtogetherbyamaskedballwhereallcharactersmingle,thesevariousepisodesofplannedseductionsupplythemoviewithmostofits,albeitfewerthantheindustrynorm,accomplishedsexscenes.ParticularlymemorableisRains'orallyservicingofAlanMarlow(thevilewomanizerwhowastoforcedtoreturntoearthPostMortemASRainsinRobertaFindlay'sANGELNUMBER9!)asharriedinvestmentbankerMarvinGoodmanforwhomtimeequalsmoneyonadoubledeckerbusactuallywhizzingthroughthestreetsoftheBigApple!Upper-crustbosombuddyTaylor(well-playedbyGeraldGrant,whojuggledlegitstageworkwithexcursionsintobisexualerotica,includingMetzger'sSCOREandJerryDouglas'BOTHWAYS,therebypresumablyscratchingapersonalitch)providesGillianwithashouldertocryonwhenshedecidesenough'senoughandbrieflyfleesherhomestead.Inarefinedsilentmoviespoof,hewines,dinesandromancesheringloriousblackandwhitewithsillyinter-titlesattemptingtoputasophisticatedspinonGilly'sbluntcome-on(readherlips!),switchingbacktocolorbythetimetheyreachthebedroomstage. Savingthebestforlast,Gillianmovesinonherhusband'sobjectofaffection,circlingaroundthefecklessPhyllisasshedancesaloneinanemptyswimmingpool,anotherarrestingimageinafilmfairlyrifewiththem.TheirslowSapphicexplorationprovidesthesexualshowstopperandleavestheyounggirlhopelesslyinlovewithhererstwhileparamour'sbetrothed.Convenientlyquittingthesceneratherthanremainingthecouple'sdirtylittlesecretevenwhileswitchingcamps,PhyllisleavesBillyandGillytokissandmakeup.NowI'mnotsurehowupfrontMetzgerwasabouthiscareerchangefromsuchloftyeroticepicsasTHELICKERISHQUARTETto,well,basicallydocumentingthedirtyforrealatthisstagebuthecertainlythrewinacuteinsidejokewhenhissimulatedCAMILLE2000isseenplayingonthecouple'sbedroomTVsetandBillybemoanshowthey'reshowingthis"trash"rathertheGarboversion! ProductionreflectstheperfectionismMetzgerhasshownthroughouthisdistinguishedcareerwithmainstream-worthycameraworkbythereportedlypseudonymous"RobertRochester",whoadultactressGloriaLeonardinsistsisactuallyanOscar-winningdocumentaryfilmmaker.RitaDavis,aminorstarletalsoinShaunCostello'sLOVEBUSandCarterStevens'HOTOVEN,appearsasDarby'ssocialiteacquaintancedressedasaharemgirlduringthemaskedballsequence,goingdownonbewhiskeredwaiterJohnBuco,C.J.Laing'scoploverfromCostello'sindelibleWATERPOWER.ThelateMarcStevensbrieflyappearsashimselfinanon-sexcapacityandthealwaysenthusiasticHelenMadiganplaysthepornstarguestontheradioshow. Onapracticalnote,thismoviehasbeenreleasedonregionODVDbyVCA,missingasubstantialamountofmostlynon-sexualfootage.FarpreferableistheItalianregion2discfromSchendene,asLASTRANIERANUDA,unfortunatelysaddledwithirremovablesubtitles,withsoftbutwatchableimagequality,atleastsourcedfromacompleteprintsuppliedbythedirector.
备注：已完结
类型：限制
主演：勒思里·波薇 Kent Hall Jack Wright 凯·帕克 S
语言：英语
年代：未知
简介： 与《美丽小蜜桃》齐名之情色经典，4K修复全球限量1500套一经推出即刻断货，现已炒至200美元天价，改编自科幻惊悚片《钻石宫》，性治疗游乐中心内见证大胆性幻想奇观 X爱世界是一个豪华的度假胜地，标榜为顶尖终极之旅，在这里旅游的人，试图解决他们的X爱问题酒店的客人慢慢意识到自己的X压抑和X恐惧，需机器与人为的帮助导演安东尼斯皮内利的相机，设置描绘对一个科幻情境为背 景，有不安全感，但能令人难以忘怀的画面其中一个70年代末的世界上X别显示， 最大的功能是S情的深思熟虑的分析，穿插惊人，有抽象的引发X欲视觉效果。它采用了全明星阵容，包括安妮特避风港，莱斯利博维，凯派克，约翰莱斯利，乔伊Silvera，并与好莱坞高水平的生产值，SEX世界仍然是最显著之一，发人深醒有史以来出品的剧情片。错综合征提出这一流派的经典作品，从原来的35mm相机的负面新近恢复了4K成效，片内有才华显赫的明星作采访大胆演出
备注：已完结
类型：限制
主演：Barbara Anne Constable Christopher
语言：印尼语
年代：未知
简介： MeettheQueenoftheSouthSeas.Asexuallyvoraciousgoddess,sheluresyoungmentohercastleand,iftheyfailtosatisfyherdemands,killsthemfasterthanyoucansay'vaginadentata',leavingherhandmaidenstodisposeofthecastratedremains… OnenighttheQueenmeetshermatch.Herpriapicsuitorsnatchesthesnakethatisthesourceofherpowerfrombetweenherthighs–causingittotransformintoakrisfasterthanyoucansay'blatantsymbolism'–anddemandsthatshesubmittobehiswifeascustomapparentlydictates.TheQueen,however,refuses,swearsrevengeontheman'sancestorsandplungesintotheseatocommunewithevil… Fastforward100orsoyearsandweareintroducedtoTanya(KristiannaLoken,erBarbaraAnneConstable),anforeignanthropologystudentresearchingthelegendoftheSouthSeasQueenforherthesis.Shechartersaboat,goesdivingandinexplicablywindsupspreadeagledonagiant-sizebedintheQueen'sundersealairtothenbepenetratedbythemagicsnake-phallus. Afewdayslater–theboathavingbeenlostatseainasudden,inexplicablestorm–thenow-reincarnatedQueen/TanyarisesfromtheseaAphrodite-like(thoughthat'ssurelyanethnocentricdescription;whynotAphroditerosefromtheseaNyaiLoroKidul-likeafterallhethensaysinaboutofself-criticism)anddisposesofacoupleofdrunks,therebyequippingherselfwithtightleathersandsomefirearmswithaseeminglyendlesssupplyofammunition… Fromhereonit'sprettymucharehashofTheTerminatorastheSeaQueengoesafterErica,asingerwhoisthedescendantofhersuitor.PolicemanMax(ChristopherJ.Hart)andhisbuddiesrescueEricafromadiscomassacre–cuethe"Comewithmeifyouwanttolive"line–andtakehertothestationforprotection.NaturallyLadyTerminatorarrivesandshootstheplaceup,butEricaandhernewloveinterestmanagetoescape.Aprotractedseriesofchases,shootoutsandexplosionsensueuntil,finally,Maxandco.faceoffagainstthenow-ZombielikeLadyTerminator,completewitheyesshotinglaserbeams… IsLadyTerminatoragoodfilm?Doyoureallyneedmetosayno?.Onelaughsatthefilmratherthanwithit,whetheritbethefashionsandhairstyles–snowwashedjeansandmulletsanyone?–theropeyeffects;theoverlyintrusiveanddecidedlycheesysynthscore;shoehorninginofTerminator-ismsaswhentheotherwiseall-butindestructibleQueenremovesandthenreinsertsadamagedeye;or–firstamongequals–theoftenludicrouspost-syncheddialogue: Max:Wehavethreeverydeadbodieshere… Othercop#1:Veryinteresting.Itsayshereallthreeoftheseguysdiedwiththeircocksbittenoff.Couldbeasmallanimal. Othercop#2:Thereportsaysaneel.Aneelondryland?I'veheardoftheultimateblowjobbut,uh,thisistoomuch Max:Obviouslydonebythesameperson.Butwhy?What'shisorhermotive? Othercop#1:Howcanahumanbeingdothis? Othercop#2:Well,veryeasily.Firstyoutaketheirpantsoff… (Notethatthisscenewasprecededbyotherwisepointlessdialogueabouteatinghotdogs–saynomore…) ThusLadyTerminatorisanenjoyablefilm,inthat"sobadit'sgood"waythatalmosttranscendsrationalanalysis.Itisalsoevident,however,thatthefilm-makersbelievedinwhattheyweredoingand,withoutcondescencion,soughttodothebesttheycould,injectingenergyandstyleintotheproceedingsandputtingtheirmoneyonthescreen.Plus,it'salsoworthrememberinghowTheTerminatordoesn'texactlyalwaysshineinthemake-upandFXdepartmentseither,aswiththewayAhnuld'sheadgetsbroaderratherthannarrowerasthefilmprogressesandhisinnerroboticsareexposed,orthatpainfullyobviousmattepaintingofthecomingdesertstormattheend. Itisalsoaninterestingfilm.ThefusionoftraditionalIndonesianmythandwesternscience-fictionmayneverquitecomeoff,butthecollisionofculturesandideasatleastprovidesplentyoffoodforthought,withwhatisrelativelychasematerialbycomparisionwithwesterntrashcinemastandards–onethinksofLinaRomay'snotdissimilarfemmecatastricesinJessFranco'sFemaleVampireandDorianaGreyortheoutrightpornoofTheSperimator–butwhichwouldseemtohavepushedtheboundariesasfarastheIndonesianauthortieswereconcerned,withthefilmhavingapparentlybeenbannedintheterritoryatonepoint. Yetthetemptationisoftentooveranalyse,asifbyofjustification:OnecouldwellimaginesomegrandLegendoftheSevenGoldenVampiresstylethesiswherebytheanthropologistbecomesemblematicofwesternimperialism,purportingtobeinterestedinunderstandingnativeculturebutreallyonlyimposingherexistingdefinitionsuponitasOther,withherpossessiontherebyasomewhatjustifiableindigenousresponsetothishubris.SuchareadingwouldthendoubtlesscontinuewiththefigureofMaxasinstrumentalindefeatingtheSeaQueeninsavingErikaassymptomaticofaparadoxicalcounterposingstatementtotheeffectthatIndonesianscannotdowithouttheirwesternallies–anddoubtlessthewholethingwouldthenbereadasacodedcritiqueand/orendorsementoftheSuhartoregime,dependingonthespin. Themoreprosaictruth,however,issurelythatthepresenceofthewesternerswasfirstandforemostameansofenhancingLadyTerminator'sofficepotentialontheexportmarket–atestamenttoculturalimperialismitself,tobesure,buthardlyonethatrequiresintellectualgymnastics. Andthis,ultimately,ishowandwhyLadyTerminatorworks:It'safilmwhosegoalistopleaseitsdiverseaudiencesandintowhichanythingandeverythingthatmightaccomplishthisaimhasbeenthrown,regardlessofhowwellthoseingredients(andtheirrespectiveaudiences)reallygotogether. Thankfully,thecocktailtastesgood–albeitinabadtasteway–andhasthedesiredstupefyingeffect… http://www.kinocite.co.uk/17/1728.php
